Broadcast Delivery

Here is how this works in practice. We deliver broadcast-ready masters from facilities in Warsaw and Łódź, preparing files to the exact tech specs each network needs. Our team handles loudness normalisation, standards conversion, closed-caption and subtitle integration, metadata population and the QC records TV networks demand before acceptance. We catch compliance issues — illegal levels, audio sync errors, format mismatches — before delivery, and produce the deliverable packages each channel specifies.

Here is the short of it. As an EBU member, Poland applies EBU R128 loudness and EBU tech specs across television deliverables, and our team builds masters that pass automated and manual QC on the first submission. The Polish Film Institute's 30% cash rebates keeps post-prod affordable for global shoots placing content with Polish TV networks. We quote budgets in Polish złoty with 23% VAT applied. We set up with edit, color and audio finishing to make sure a clean handoff into delivery.

Here is the breakdown. Poland's broadcast landscape is led by TVP. Telewizja Polska, the public TV networks running TVP1, TVP2 and the cultural channel TVP Kultura, plus the TVP VOD sites — alongside the major commercial TV networks Polsat and TVN. Each operates its own delivery specs. EBU membership means EBU R128 loudness and EBU tech standards underpin all of them. Poland's distinctive 'lektor' voice-over custom, in which a single narrator voices foreign content over the first audio, shapes the versioning and audio deliverables that local broadcast often needs.

Here is what that looks like on the ground. The Gdynia Film Festival showcases the national feature slate, much of which moves on to broadcast windows, and Netflix's strong Polish-originals catalogue means shoots frequently prepare both broadcast and streaming masters in parallel. We deliver fully compliant, QC-passed masters ready for transmission across Polish and global networks.