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Auschwitz Memorial - filming location in Poland

SCENE 01 / WIRELESS MICROPHONE SYSTEMS

Wireless Microphone Systems

Professional wireless audio for your Polish production.

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Here is how this works in practice. Wireless microphone systems enable untethered audio capture, giving talent freedom of movement while keeping broadcast-quality sound. Modern digital wireless systems give reliable transmission, wide frequency range, and encryption to avoid interference in complex RF environments common on busy sets.

Here is the short of it. We source and set up wireless microphone systems with the frequency bands and channel counts your production needs. Our team handles range planning and makes sure backup units are ready, so your sound department can operate confidently across many shooting locations.

Capabilities

Wireless Audio Equipment

Premium wireless systems from Lectrosonics, Wisycom, and other industry leaders.

Professional Wireless Solutions

Capabilities

200+
Wireless Channels
All
Major Brands
Digital
& Analog
24/7
Tech Support

Our Process

1

Requirements Review

Knowing your channel count, range needs, and RF environment.

2

System Design

Configuring the right wireless system with proper frequency planning.

3

Frequency Scan

Scanning your locations and allocating clean frequencies for reliable operation.

4

Production Support

Tech support, backup gear, and frequency management across your shoot.

On Location

Wireless microphone systems are coordinated against UHF allocations from the Office of Electronic Communications (Urząd Komunikacji Elektronicznej / UKE) and sourced from the rental houses of Warsaw and Łódź.

Here is how this works in practice. We source wireless microphone systems — digital and analog transmitters, receivers, antenna distribution and a full range of lavalier microphones — from the rental houses in Warsaw and Łódź whose audio inventory has grown since the 30% PISF cash rebates started driving investment in 2019. Our team configures each system around the production's channel count and RF environment, from a single lav to dozens of set up channels for large-cast features, and plans antenna distribution and RF cabling for trusted coverage across the shooting area.

Here is the short of it. On larger locations we deploy many receiver setups. We always supply backup transmitters and receivers for longer schedules. Because hire from Polish vendors counts as qualifying spend toward the rebates, building the wireless package locally is budget-efficient. Any pro system not held in-country moves freely by road from Germany or the Czech Republic, since Poland is in the EU single market and Schengen with no carnet for intra-EU transport.

Here is the breakdown. Frequency planning is the heart of trusted wireless audio in Poland. The Office of Electronic Communications (Urząd Komunikacji Elektronicznej / UKE) covers radio-frequency allocation for wireless microphones, IFB and comms on EU-harmonised UHF range, and our team scans each location to identify clean frequencies and set up the production's microphones against any other RF gear — wireless video, IEMs, drone links. This is most demanding on congested urban shoots near the Palace of Culture and Science or across the Warsaw skyline. On multi-unit shoots in Kraków's preserved historic core.

Here is what that looks like on the ground. Productions arriving from outside the EU clear imported wireless hardware on ATA Carnets through the National Revenue Administration (Krajowa Administracja Skarbowa), with Warsaw Chopin Airport (WAW) as the main air-cargo gateway. Billing is in Polish złoty (PLN) with 23% VAT. Poland's cold, snowy winters mean careful battery running on transmitters and bodypacks used on exterior sets in the Tatra Mountains or at Gdańsk on the Baltic coast.

FAQ

Frequently Asked Questions

What wireless systems do you recommend?

For pro narrative work, we recommend Lectrosonics Digital or Wisycom for their audio quality, reliability, and spectral efficiency. Zaxcom gives recording-capable transmitters. For budget-conscious shoots, Sennheiser EW-D gives great value.

How many wireless channels can you provide?

We can give as many channels as your production needs—from single transmitters to dozens of set up channels for large cast shoots. Our frequency planning makes sure all channels operate without interference.

What lavalier microphones do you stock?

We carry DPA 4060 and 6060 (subminiature), Sanken COS-11D, Sennheiser MKE series, and Countryman lavalieres. Each has different traits suited to many concealment and sound needs.

How do you handle frequency coordination?

We scan your locations to identify clean frequencies and set up all wireless systems to avoid interference. This has both your wireless mics and any other RF gear like wireless video or IEMs.

What about range and coverage?

Range depends on the system and environment. We configure antenna distribution and RF cables to make sure reliable coverage for your shooting area. For large locations, we can give many receiver setups.

Do you provide backup equipment?

Yes, we recommend and can give backup transmitters and receivers for longer shoots. Having backup wireless protects your production against gear failures.

Productions in Poland that need this often pair it with Wireless Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.

On Set

Need Wireless Audio?

Tell us about your wireless requirements and we'll build the right system.