
SCENE 01 / WIRELESS SYSTEMS
Wireless Systems
Complete wireless infrastructure for your Polish production.
Here is how this works in practice. Wireless communication and audio transmission systems keep production teams connected and audio signals flowing without physical cables. These systems cover wireless intercoms, IFB feeds, audio hops, and comms networks that are key for setting up large crews across expansive sets or locations.
Here is the short of it. We give wireless system packages configured for your production's specific communication and audio distribution needs. Our team sets up frequency planning and gear testing to make sure interference-free operation, allowing seamless crew communication and reliable audio transmission across your shoot.
Capabilities
Wireless Equipment
Audio, video, lens control, and RF management solutions.
Integrated Wireless Solutions
Capabilities
Our Process
RF Survey
Scanning your locations to know the RF environment and identify clean frequencies.
System Design
Designing an integrated wireless solution covering audio, video, and control needs.
Frequency Coordination
Allocating and logging frequencies to make sure all systems operate without interference.
Production Support
Ongoing RF tracking and support across your shoot.
On Location
Integrated wireless infrastructure — audio hops, IFB, intercom, wireless video and lens control — is coordinated across EU-harmonised UHF spectrum regulated by the Office of Electronic Communications (UKE).
Here is how this works in practice. We give integrated wireless system packages — wireless intercom, IFB feeds, audio hops, wireless video links and lens-control systems — sourced from the rental houses in Warsaw and Łódź whose RF inventory has grown since the 30% PISF cash rebates started driving investment in 2019.
Here is the short of it. Our team treats each shoot as a single RF environment: rather than letting departments specify wireless in isolation, we run a survey of the location, design an integrated solution covering audio, video and control, and allocate logged frequencies so microphones, IEMs, wireless video and follow-focus systems all coexist. On large multi-department shoots this full planning is what keeps dozens of channels stable. Because hire from Polish vendors counts as qualifying spend toward the rebates, building the wireless package locally is budget-efficient. Any pro RF hardware not held in-country moves freely by road from Germany or the Czech Republic, since Poland is in the EU single market and Schengen with no carnet for intra-EU transport.
Here is the breakdown. All production wireless operates within range covered by the Office of Electronic Communications (Urząd Komunikacji Elektronicznej / UKE). This administers radio-frequency allocation for wireless microphones, IFB, comms and video links on EU-harmonised UHF bands. Our team works only within legal frequencies and can advise on sign-ups needs for higher-power systems. RF running is most demanding on congested urban shoots near the Warsaw skyline or the Palace of Culture and Science.
Here is what that looks like on the ground. Where a production also flies drones, those operations fall under the Polish Civil Aviation Authority (Urząd Lotnictwa Cywilnego / ULC) and EU/EASA rules, and we set up drone control links against ground wireless. Productions arriving from outside the EU clear imported wireless hardware on ATA Carnets through the National Revenue Administration (Krajowa Administracja Skarbowa), with Warsaw Chopin Airport (WAW) as the main air-cargo gateway. Billing is in Polish złoty (PLN) with 23% VAT. Poland's cold, snowy winters mean careful battery running for wireless gear on exterior sets in the Tatra Mountains and at Gdańsk.
FAQ
Frequently Asked Questions
What wireless systems do you coordinate?
We set up all production wireless systems including microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF gear. Full planning makes sure all systems work together without interference.
How do you handle frequency allocation?
We scan your locations, identify clean frequencies within legal range in Poland, and allocate channels to all departments. We give frequency records and work with each department to program their gear.
What about wireless video systems?
We supply Teradek Bolt, Vaxis Storm, and other wireless video systems for video village distribution. These give zero-latency transmission allowing directors and clients to monitor without cables.
Do you provide wireless lens control?
Yes, we supply wireless follow focus systems including Preston FIZ, ARRI WCU-4, and Tilta Nucleus. We make sure lens control frequencies are set up with other wireless systems.
What about Polish RF regulations?
We're familiar with Polish frequency rules and make sure all wireless gear operates within legal range. We can advise on sign-ups needs for high-power systems.
Can you support large-scale productions?
Yes, we often support shoots with dozens of wireless channels across many departments. Complex shoots gain most from full RF planning.
Related Services
Productions in Poland that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Solutions?
Tell us about your wireless requirements and we'll design the right system.