Volumetric Capture

Here is how this works in practice. We give volumetric capture services in Poland, recording performers from each angle with synchronised camera arrays to produce three-dimensional digital assets that can be viewed from any perspective. Volumetric capture sits at the meeting point of film, games, and immersive media — the captured performance becomes a true 3D object that can be placed inside a VR experience, an AR application, or a game engine.

Here is the short of it. This depends on real-time-graphics expertise, an area where Poland is exceptionally strong: the country's worldwide recognised games industry, led by CD Projekt Red, and its Oscar-nominated visual-effects house Platige Image in Warsaw, supply the tech artists and pipeline engineers volumetric work needs. Our teams set up capture-stage access, multi-camera synchronisation, lighting for 360-degree consistency, and the processing pipeline that turns raw captures into clean, usable volumetric assets.

Here is the breakdown. Volumetric capture production in Poland gains from the 30% cash rebates administered by the Polish Film Institute (PISF) where the work meets the eligibility criteria, covering qualifying studio, crew, and post-prod costs. The convergence of Poland's film, games, and animation sectors makes the country a genuinely capable base for volumetric and immersive-media work. We set up studio and stage access through Film Commission Poland and advise on contracting local volumetric pros and real-time-graphics teams. For global shoots we advise on work permits for visiting tech staff, the złoty, and 23% VAT.

With Poland in the EU and Schengen, capture gear and staff move freely across borders, and our team manages the volumetric pipeline from on-stage capture through to the delivered 3D asset.